"Beauty is experienced, but the experience can go beyond the things of the eyes and the senses, towards joy and goodness. Goodness leads on to charity and love ... "
Beauty, goodness, and the moral nature of art, are interrelated in this period-piece novella, the design and appearance of which reflects the kind of book privately produced in the late-19th/early 20th century era, in which the story is set.
Benebella is a portrait whose beauty inspires acts of goodness and philanthropy. Unlike Dorian Gray's picture, however - in Oscar Wilde's classic tale - the more Benebella's owner does good works, the more disfigured and ravaged the picture becomes - in a story which overturns the amoral aestheticism of Wilde's character, and the corrupting hedonism of J-K Huysmans' Duc des Esseintes, upon whom Wilde drew.
Published in 1999, this book uses decorations designed early in the 20th century by Dard Hunter (who was a member of the Roycrofters' Arts & Crafts community in East Aurora, New York state), and are now made available by the P22 Type Foundry, Buffalo, N.Y.